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a.y. 2023/20SULLABUS

SYLLABUS

  • Introduction

    Discussion

    • Miriam Posner, The Software That Shapes Workers’ Lives. The New Yorker; March 12, 2019.

    Projects to examine and discuss in class:

    • The Battle of Hong Kong – 1941
    • The Valley of Shadows
    • The Little Giddings Harmonies
    • http://learnpalestine.politics.ox.ac.uk/ (description of the project here)
    • The Software That Shapes Workers’ Lives

    CLASS 1

    October 16, 2024

    Lecture

    • The “Digital” of Digital Humanities
    • What is Digital Humanities? Can it be defined?

    Discussion

    The history of digital Humanities (what is Digital Humanities? part II.)

    We will discuss the following essay:

    • Susan Hockey, The History of Humanities Computing, in “Companion to Digital Humanities”

    and confront it with (optional readings):

    • Melissa Terras, and Julianne Nyhan. Father Busa’s Female Punch Card Operatives, in “Debates in the Digital Humanities”, edited by Matthew Gold and Lauren Klein (Ann Arbor, Minn.: University of Minnesota Press, 2016).
    • William G. Thomas, Computing and the Historical Imagination, in “Companion to Digital Humanities”. The essay discusses “The Valley of Shadows”, examined in the previous class.

    CLASS 2

    October 22, 2024

    In-class exercise

    You will learn to manipulate and refine a simple dataset.

    • OpenRefine, and BREVE

    How is it made?  

    We will examine the following digital projects:

    • Digital Benin
    • I Am Still Surviving
    • The Mosely Homestead
    • The Valley of Shadows 2.0

    How is it made?  

    We will examine the following datasets:

    • A Medical History of British India
    • State Funding for Social Movements
    • Greek-Dependency-Trees
    • Shakespeare & Company Project
    • Slave Voyages

    CLASS 3

    October 23, 2024

    Lecture

    • What is ‘data’?
    • Forms of data and data-sets
    • Data cleaning and manipulation

    Discussion

    How to present Data. Data Analysis.

    We will discuss the following article:

    • Christopher Groskopf, The Quartz guide to bad data, in “Quartz”, December 15, 2015.
    • Katie Rawson and Trevor Muñoz, Against Cleaning, in “Curating Menus”, July 6, 2016.

    Optional reading:

    • Marc Francis, Cruising Différance in 3 Scenes, in “Journal of Videographic Film & Moving Image Studies” 5.3 (2018).

    CLASS 4

    October 29, 2024

    How is it made?  

    We will examine how the following digital projects are made:

    • Robots Reading Vogue
    • The Perseus Digital Library

    Discussion

    Reconsidering data manipulation. Missing data.

    We will discuss the following articles:

    • Mimi Onuoha, Where We Live and How We Die: What a year of death looks like around the world, in “How We Get To Next”, June 30, 2016 (take a look also to Mimi Onuoha, On Missing Datasets).
    • Katie Rawson and Trevor Muñoz, Against Cleaning, in “Curating Menus”, July 6, 2016.

    Optional readings:

    • Introduction and a chapter of Catherine Ignazio and Lauren Klein, Data Feminism (MIT press, digital book).

    CLASS 5

    October 30, 2024

    Lecture

    Data visualization: history, methods, and tools

    CLASS 6

    November 5, 2024

    In-class exercise

    You will start to use some data visualization tools.

    • Please download Tableau public before class (for free, but it’s not open source).
    • If you prefer something different, take a look at Apache Superset. It is an open-source data exploration and visualization platform. It may require a little more time and skill compared to Tableau, but it can be a rewarding experiment.
    • If you can already code, you can opt for P5.

    Discussion

    Data visualization

    We will discuss the following articles:

    • Stéfan Sinclair, Stan Ruecker, and Milena Radzikowska, Information Visualization for Humanities Scholars, in “Literary Studies in the Digital Age: An Evolving Anthology” – The Modern Language Association of America. [⚠︎ Please be aware that inside this essay, there are links to projects that have been discontinued. These links could potentially direct you to unsafe websites].
    • W. E. B. Du Bois’ Hand-Drawn Infographics of African-American Life (1900).
    • Zachary Petit, One Design Firm’s Quarantine, in Data.

    Optional content:

    🎥 David McCandless, The beauty of data visualization (TED talk).

    CLASS 7

    November 6, 2024

    How is it made?  

    We will examine the following DH projects:

    • PoemMetaVis: Poetry metadata visualization and exploration
    • The Atlas of Economic Complexity
    • “On Upward Mobility,” by Aaron Williams

    Lecture

    Text analysis and topic modeling; possibilities and drawbacks.
    Algorithms of textual analysis.

    CLASS 8

    November 12, 2024

    Discussion

    Data visualization, pt. II

    We will discuss the following articles:

    • Johanna Drucker, Humanities Approaches to Graphical Display, in “Digital Humanities Quarterly” 5 (2011).
    • Giorgia Lupi, Data Humanism: The Revolutionary Future of Data Visualization.

    Optional Readings:

    • Steven Braun, Critically engaging with data visualization through an information literacy framework, in “Digital Humanities Quarterly” 18 (2018).
    • Georgia Panagiotidou et al., Communicating Uncertainty in Digital Humanities Visualization Research, in “IEEE Transactions on Visualization and Computer Graphics”.
    • Johanna Drucker, Graphesis: Visual Forms of Knowledge Production (‎Harvard University Press, 2014).

    How is it made?  

    We will examine and reverse-engineering the following DH projects:

    • (Un)silencing Slavery: Remembering the Enslaved at Rose Hall Plantation, Jamaica
    • Musicians’ Networks in Early Modern Venice
    • Sense Sound in Film

    Discussion

    Text analysis

    We will discuss the following article:

    • Nan Z. Da, The Computational Case against Computational Literary Studies, in “Critical Inquiry” 45, 2019. Consider also the debate in this forum.

    Optional readings:

    • Stephen Marche, Literature Is not Data: Against Digital Humanities, in “LARB” October 28, 2012.
    • Markus Moessner et al., Analyzing big data in social media: Text and network analyses of an eating disorder forum, in “International Journal of Eating Disorders” 51 (2018).
    • Maxime Bérubé et al., Social media forensics applied to assessment of post–critical incident social reaction: The case of the 2017 Manchester Arena terrorist attack, in “Forensic Science International” 313 (2020).

    CLASS 9

    November 13, 2024

    In-class exercise

    You will start to practice with text analysis tools.

    Voyant, NLTK, or The Topic Modeling Tool

    Lecture

    • Introduction to HTML and CSS.
    • Concepts of Web Design.
    • How to build a webpage from scratch

    CLASS 10

    November 19, 2024

    In-class exercise

    In this class segment, we’ll embark on a series of interconnected tutorials. You will start practicing with HTML and CSS to forge a simple page.

    Optional readings:

    HTML Handouts and the Web Content Accessibility Guidelines (WCAG) 2.1.

    Lecture

    • Infographic: A History of Data Graphics

    We will also examine:

    • Stephen J. Eskilson, “The Digital Present”; chapter XI of Graphic Design: A New History, 3rd ed. (New Haven: Yale University Press, 2019).

    CLASS 11

    November 20, 2024

    Optional reading:

    • 10 innovative web design trends – 99Design.

    Discussion

    We will discuss the following materials:

    • The first chapter of: Jonathan Crary, Techniques of the Observer: On Vision and Modernity in the Nineteenth Century (Boston: MIT Press, 1990).
    • Anne Burdick, Meta! Meta! Meta!: A Speculative Design Brief for the Digital Humanities, in “Visible Language” 49 (December 1, 2015).

    How is it made?  

    We will examine the following DH project:

    • Signs@40: Feminist Scholarship through Four Decades

    Midterm Written Test

    Lecture

    • Digital maps
    • GIS and digital gazetteers

    CLASS 12

    November 26, 2024

    MIDTERM WRITTEN TEST

    In-class exercise

    In this class segment, you will build a digital map with QGIS

    Discussion

    Digital maps

    We will discuss the following articles/publications:

    • Rhiannon Firth, Critical Cartography, in “The Occupied Times” April 23, 2015.
    • David Turnbull, Maps Are Territories: Science Is an Atlas: A Portfolio of Exhibits (Chicago: University of Chicago Press, 1993)

    Optional Readings:

    • Sarah Battersby et al., Implications of Web Mercator and Its Use in Online Mapping, in “Cartographica: The International Journal for Geographic Information and Geovisualization” 49 (2014), pp. 85–101.
    • Charles Travis and Alexander von Lünen (eds.), “The Digital Arts and Humanities: Neogeography, Social Media and Big Data Integrations and Applications” (Springer, 2015), pp. 153–167

    CLASS 13

    November 27, 2024

    How is it made?  

    We will examine the following DH projects:

    • Creating Data: A Guided Tour of the Digital Library
    • Colored Conventions
    • Byrne’s Euclid
    • Afroamexart

    In-class exercise

    In this section, participants can work together and bring up any concerns related to their current digital projects. We’ll briefly go over the state of their work and address any technical or conceptual difficulties that may have encountered.

    Lecture

    Introduction to AI: From the first models to machine learning.

    How is it made?  

    We will examine the following DH projects:

    • Mapping Indigenous LA
    • Карта советских лагерей (Gulag map)
    • Al-Ṯurayyā Project

    CLASS 14

    December 3, 2024

    Lecture

    • Deep machine learning
    • An introduction to artificial neural networks

    CLASS 15

    December 4, 2024

    Discussion

    We will discuss the following articles:

    • Stephen Wolfram, What Is ChatGPT Doing … and Why Does It Work? (February 14, 2023)
    • J. McCarthy, M. L. Minsky et. al., A Proposal for the Dartmouth Summer Research Project on Artificial Intelligence (1955).
    • Cade Metz, What Exactly are the dangers of AI?, in “The New York Times” (May 1, 2023).

    Optional Readings:

    • AINOW Institute
    • Catherine Nicole Coleman and Michael A. Keller, AI in the Research Library Environment, chapter II of Ruth Pickering and Matthew Ismail (eds.), Artificial Intelligence in Libraries and Publishing (Michigan P.S.: 2022).

    Lecture

    An introduction to classical network analysis.

    Discussion

    We will discuss the following articles:

    • Scott Weingart, Demystifying Networks, Parts I & II, in “Journal of Digital Humanities” 1 (Winter 2011).
    • Mushon Zer-Aviv, If Everything Is a Network, Nothing Is a Network, in ”Visualizing Information for Advocacy”, January 8, 2016.

    How is it made?  

    We will examine the following DH projects:

    • Star Wars social networks: The Force Awakens
    • Musicians’ Networks in Early Modern Venice
    • Relational Mediterranean

    CLASS 16

    December 11, 2024

    In-class exercise

    The participants will work on their projects and refine them for the upcoming presentation.

    In this section, participants can work together and bring up any concerns related to their current digital projects. We’ll briefly go over the state of their work and address any technical or conceptual difficulties that may have encountered.

    CLASS 17

    December 12, 2024

    Presentations

    The participants will present their projects.

    CLASS 18

    December 17, 2024

    CLASS 1

    October 16, 2024

    Introduction

    Discussion

    • Miriam Posner, The Software That Shapes Workers’ Lives. The New Yorker; March 12, 2019.

    Projects to examine and discuss in class:

    • The Battle of Hong Kong – 1941
    • The Valley of Shadows
    • The Little Giddings Harmonies
    • http://learnpalestine.politics.ox.ac.uk/ (description of the project here)
    • The Software That Shapes Workers’ Lives

    Lecture

    • The “Digital” of Digital Humanities
    • What is Digital Humanities? Can it even be defined?

    CLASS 2

    October 22, 2024

    Discussion

    The history of digital Humanities (what is Digital Humanities? part II.)

    We will discuss the following essay:

    • Susan Hockey, The History of Humanities Computing, in “Companion to Digital Humanities”

    and confront it with (optional readings):

    • Melissa Terras, and Julianne Nyhan. Father Busa’s Female Punch Card Operatives, in “Debates in the Digital Humanities”, edited by Matthew Gold and Lauren Klein (Ann Arbor, Minn.: University of Minnesota Press, 2016).
    • William G. Thomas, Computing and the Historical Imagination, in “Companion to Digital Humanities”. The essay discusses “The Valley of Shadows”, examined in the previous class.

    In-class exercise

    You will learn to manipulate and refine a simple dataset.

    • OpenRefine, and BREVE

    How is it made?  

    We will examine the following digital projects:

    • Digital Benin
    • I Am Still Surviving
    • The Mosely Homestead
    • The Valley of Shadows 2.0

    CLASS 3

    October 23, 2024

    How is it made?  

    We will examine the following datasets:

    • A Medical History of British India
    • State Funding for Social Movements
    • Greek-Dependency-Trees
    • Shakespeare & Company Project
    • Slave Voyages

    Lecture

    • What is ‘data’?
    • Forms of data and data-sets
    • Data cleaning and manipulation

    CLASS 4

    October 29, 2024

    Discussion

    How to present Data. Data Analysis.

    We will discuss the following article:

    • Christopher Groskopf, The Quartz guide to bad data, in “Quartz”, December 15, 2015.
    • Katie Rawson and Trevor Muñoz, Against Cleaning, in “Curating Menus”, July 6, 2016.

    Optional reading:

    • Marc Francis, Cruising Différance in 3 Scenes, in “Journal of Videographic Film & Moving Image Studies” 5.3 (2018).

    How is it made?  

    We will examine how the following digital projects are made:

    • Robots Reading Vogue
    • The Perseus Digital Library

    CLASS 5

    October 30, 2024

    Discussion

    Reconsidering data manipulation. Missing data.

    We will discuss the following articles:

    • Mimi Onuoha, Where We Live and How We Die: What a year of death looks like around the world, in “How We Get To Next”, June 30, 2016 (take a look also to Mimi Onuoha, On Missing Datasets).
    • Katie Rawson and Trevor Muñoz, Against Cleaning, in “Curating Menus”, July 6, 2016.

    Optional readings:

    • Introduction and a chapter of Catherine Ignazio and Lauren Klein, Data Feminism (MIT press, digital book).

    CLASS 6

    November 5, 2024

    Lecture

    Data visualization: history, methods, and tools

    In-class exercise

    You will start to use some data visualization tools.

    • Please download Tableau public before class (for free, but it’s not open source).
    • If you prefer something different, take a look at Apache Superset. It is an open-source data exploration and visualization platform. It may require a little more time and skill compared to Tableau, but it can be a rewarding experiment.
    • If you can already code, you can opt for P5.

    CLASS 7

    November 6, 2024

    Discussion

    Data visualization

    We will discuss the following articles:

    • Stéfan Sinclair, Stan Ruecker, and Milena Radzikowska, Information Visualization for Humanities Scholars, in “Literary Studies in the Digital Age: An Evolving Anthology” – The Modern Language Association of America. [⚠︎ Please be aware that inside this essay, there are links to projects that have been discontinued. These links could potentially direct you to unsafe websites].
    • W. E. B. Du Bois’ Hand-Drawn Infographics of African-American Life (1900).
    • Zachary Petit, One Design Firm’s Quarantine, in Data.

    Optional content:

    🎥 David McCandless, The beauty of data visualization (TED talk).

    How is it made?  

    We will examine the following DH projects:

    • PoemMetaVis: Poetry metadata visualization and exploration
    • The Atlas of Economic Complexity
    • “On Upward Mobility,” by Aaron Williams

    CLASS 8

    November 12, 2024

    Lecture

    Text analysis and topic modeling; possibilities and drawbacks.
    Algorithms of textual analysis.

    Discussion

    Data visualization, pt. II

    We will discuss the following article:

    • Johanna Drucker, Humanities Approaches to Graphical Display, in “Digital Humanities Quarterly” 5 (2011).
    • Giorgia Lupi, Data Humanism: The Revolutionary Future of Data Visualization.

    Optional Readings:

    • Steven Braun, Critically engaging with data visualization through an information literacy framework, in “Digital Humanities Quarterly” 18 (2018).
    • Georgia Panagiotidou et al., Communicating Uncertainty in Digital Humanities Visualization Research, in “IEEE Transactions on Visualization and Computer Graphics”.
    • Johanna Drucker, Graphesis: Visual Forms of Knowledge Production (‎Harvard University Press, 2014).

    How is it made?  

    We will examine and reverse-engineering the following DH projects:

    • (Un)silencing Slavery: Remembering the Enslaved at Rose Hall Plantation, Jamaica
    • Musicians’ Networks in Early Modern Venice
    • Sense Sound in Film

    CLASS 9

    November 13, 2024

    Discussion

    Text analysis

    We will discuss the following article:

    • Nan Z. Da, The Computational Case against Computational Literary Studies, in “Critical Inquiry” 45, 2019. Consider also the debate in this forum.

    Optional readings:

    • Stephen Marche, Literature Is not Data: Against Digital Humanities, in “LARB” October 28, 2012.
    • Markus Moessner et al., Analyzing big data in social media: Text and network analyses of an eating disorder forum, in “International Journal of Eating Disorders” 51 (2018).
    • Maxime Bérubé et al., Social media forensics applied to assessment of post–critical incident social reaction: The case of the 2017 Manchester Arena terrorist attack, in “Forensic Science International” 313 (2020).

    In-class exercise

    You will start to practice with text analysis tools.

    Voyant, NLTK, or The Topic Modeling Tool

    CLASS 10

    November 19, 2024

    Lecture

    • Introduction to HTML and CSS
    • Concepts of Web Design
    • How to build a webpage from scratch

    In-class exercise

    In this class segment, we’ll embark on a series of interconnected tutorials. You will start practicing with HTML and CSS to forge a simple page.

    Optional readings:

    HTML Handouts and the Web Content Accessibility Guidelines (WCAG) 2.1.

    CLASS 11

    November 20, 2024

    Lecture

    Infographic: A History of Data Graphics

    We will also examine:

    • Stephen J. Eskilson, “The Digital Present”; chapter XI of Graphic Design: A New History, 3rd ed. (New Haven: Yale University Press, 2019).

    Optional reading:

    • 10 innovative web design trends – 99Design.

    Discussion

    We will discuss the following materials:

    • The first chapter of: Jonathan Crary, Techniques of the Observer: On Vision and Modernity in the Nineteenth Century (Boston: MIT Press, 1990).
    • Anne Burdick, Meta! Meta! Meta!: A Speculative Design Brief for the Digital Humanities, in “Visible Language” 49 (December 1, 2015).

    How is it made?  

    We will examine the following DH project:

    • Signs@40: Feminist Scholarship through Four Decades

    CLASS 12

    November 26, 2024

    MIDTERM WRITTEN TEST


    Lecture

    • Digital maps
    • GIS and Digital gazetteers

    In-class exercise

    In this class segment, you will build a digital map with QGIS

    CLASS 13

    November 27, 2024

    Discussion

    Digital maps

    We will discuss the following articles:

    • Rhiannon Firth, Critical Cartography, in “The Occupied Times” April 23, 2015.
    • David Turnbull, Maps Are Territories: Science Is an Atlas: A Portfolio of Exhibits (Chicago: University of Chicago Press, 1993).

    Optional Readings:

    • Sarah Battersby et al., Implications of Web Mercator and Its Use in Online Mapping, in “Cartographica: The International Journal for Geographic Information and Geovisualization” 49 (2014), pp. 85–101.
    • Charles Travis and Alexander von Lünen (eds.), “The Digital Arts and Humanities: Neogeography, Social Media and Big Data Integrations and Applications” (Springer, 2015), pp. 153–167

    How is it made?  

    We will examine the following DH projects:

    • Creating Data: A Guided Tour of the Digital Library
    • Colored Conventions
    • Byrne’s Euclid
    • Afroamexart

    CLASS 14

    December 3, 2024

    Lecture

    Introduction to AI: From the first models to machine learning.

    In-class exercise

    In this section, participants can work together and bring up any concerns related to their current digital projects. We’ll briefly go over the state of their work and address any technical or conceptual difficulties that may have encountered.

    How is it made?  

    We will examine the following DH projects:

    • Mapping Indigenous LA
    • Карта советских лагерей (Gulag map)
    • Al-Ṯurayyā Project

    CLASS 15

    December 4, 2024

    Lecture

    • Deep machine learning
    • An introduction to artificial neural networks

    Discussion

    We will discuss the following articles:

    • Stephen Wolfram, What Is ChatGPT Doing … and Why Does It Work? (February 14, 2023)
    • J. McCarthy, M. L. Minsky et. al., A Proposal for the Dartmouth Summer Research Project on Artificial Intelligence (1955).
    • Cade Metz, What Exactly are the dangers of AI?, in “The New York Times” (May 1, 2023).

    Optional Readings:

    • AINOW Institute
    • Catherine Nicole Coleman and Michael A. Keller, AI in the Research Library Environment, chapter II of Ruth Pickering and Matthew Ismail (eds.), Artificial Intelligence in Libraries and Publishing (Michigan P.S.: 2022).

    CLASS 16

    December 11, 2024

    Lecture

    An introduction to classical network analysis.

    Discussion

    We will discuss the following articles:

    • Scott Weingart, Demystifying Networks, Parts I & II, in “Journal of Digital Humanities” 1 (Winter 2011).
    • Mushon Zer-Aviv, If Everything Is a Network, Nothing Is a Network, in ”Visualizing Information for Advocacy”, January 8, 2016.

    How is it made?  

    We will examine the following DH projects:

    • Star Wars social networks: The Force Awakens
    • Musicians’ Networks in Early Modern Venice
    • Relational Mediterranea

    CLASS 17

    December 12, 2024

    In-class exercise

    The participants will work on their projects and refine them for the upcoming presentation.

    In this section, participants can work together and bring up any concerns related to their current digital projects. We’ll briefly go over the state of their work and address any technical or conceptual difficulties that may have encountered.

    CLASS 18

    December 17, 2024

    Presentations

    The participants will present their projects.

..

DH @PS_UniRoma3

contacts